Matilda Sterby

Matilda Sterby




Endrunde 2019

Meisterkurs 2020


2020 Amanda, Tintomara (L.J. Werle), Läckö Castle Opera (Schweden) (Die Aufführungen wurden aufgrund der COVID-19-Pandemie auf 2021 verschoben)

2020 Fiordiligi, Così fan tutte (W.A. Mozart), Oper Göteborg (Schweden)

2019 Contessa, Le nozze di Figaro (W.A. Mozart), Läckö Castle Opera (Schweden)

2018 Emmy Perth, Der Vampyr (H. Marschner), Läckö Castle Opera (Schweden)

2017 Donna Anna, Don Giovanni (W.A. Mozart), Dalafloda Opera Festival (Schweden)

2016 Marguerite, Faust


2016-19 Bachelor of Arts in Opera Singing, Stockholm University College of Opera

2012-16 Bachelor in Classical Music Performance, Norwegian Academy of Music Oslo


2019 Endrundenteilnehmerin, NEUE STIMMEN-Wettbewerb, Gütersloh (Deutschland)

2019 Stipendium der Richard-Wagner-Stipendienstiftung Stockholm (Schweden)

2019, 2018 und 2016 Stipendium der Royal Swedish Academy of Music (Schweden)

2016 De Unges Konsert, Philharmonie Bergen (Norwegen)


Stand: Herbst 2020

Who is your greatest vocal/musical role model?

It's so hard to choose! Malin Byström, Dorothea Röschmann, Veronique Gens and Magda Olivero are all singers that inspire me and whom I highly admire. If I had to choose only one, then right now it would be Malin Byström.

How would you describe yourself in three words/with three characteristics?

Social, ambitious and curious.

Salzburg or Bayreuth?

Bayreuth! In 2019 I received a scholarship, from the Swedish Wagner Society, letting me visit the Bayreuther Festspiele. It is an opportunity for young singers to get inspired by the whole experience and I truly was! I dream of someday in my life standing on that stage, singing a Wagner role in the Opera house especially built for that repertoire, to experience the wings of history meeting the sound of the music in the amazing acoustics. Imagine being a part of that!